The Home Front The Experiment Would I really want to write full-time? By: Dale R. Cozort |
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Hitler Doesn’t Declare War On the US (part 6) The Fifteen Original Colonies?
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I write a lot, as most of you have figured out by now. Once in a while I
wonder what it would be like to write full-time. Would I enjoy it? Would I have
the discipline to actually use my time productively? How much could I actually
accomplish? What kind of barriers would I run into? Would the work be good
enough to justify the time I spent on it? I didn’t really have any idea of what the answer to any of those questions
would be. Fortunately, I had a golden opportunity to find out. In August, I had
a vacation of roughly two weeks and three days. I say roughly because I did have
to do some things for work during that period. I decided to do a little test. I
would set ambitious writing goals for the period, and then see how well I met
those goals. I asked myself "how much writing should a writer do in two and
a half weeks?" I didn’t really have an answer to that. I recalled reading
that Steve Stirling sometimes hit eight thousand to ten thousand words in a day
when he was writing Island in the Sea of Time, but I got the impression
that was an exceptionally good day for him. I recalled that Arthur Dent (the guy
that wrote most of the Doc Savage novels) used to write one of those 120 to 130
page short novels pretty much every month for over ten years. I used that to set
my goal. I figured that Dent probably plotted for about a week, wrote for
two-and-a-half weeks, and then polished for a week. I figured that the Doc
Savage novels probably ran about thirty to thirty-five thousand words. I set a
goal of thirty-two thousand words in two-and-a-half weeks. I worked backwards
from that, and came up with daily goals of 2500 words on weekdays, and 1000
words on Saturdays. I figured I’d take a break on Sundays to try to regain my
sanity. I plotted out a novel that I estimated would be 70,000 to 75,000 words long
over the weeks leading up to my vacation. I figured out the major characters. I
sketched out what would happen and when. I even jumped the gun and wrote around
800 words on the story. Finally the vacation started. Here is an almost
day-by-day account. August 6 (Tuesday): I got off to a truly awful start. I logged on to read my
e-mail and ended up spending several hours surfing the Internet. I also had to
spend about an hour and a half doing stuff for work. Bottom line: I wrote 818
words—32.72 percent of what I intended to. Moral: Internet can eat your
writing. August 7 (Wednesday): Much better day. I got an early start and wrote 2612
words. That was 104.48 percent of goal. Rolling total: 3430 written, goal 5000.
Over the two days I was at 68.6 percent of goal. August 8 (Thursday): We started a brief family vacation at Green Lake. I had
warned my wife that I would be spending a lot of time writing, which was fine
with her because she wanted to do some craft things with my daughter. I had set
a goal of 1000 words because of the four-hour drive. I only wrote 312 words—just
too tired from the drive. Bottom line 32.1 percent for the day, and 62.52
percent so far. August 9 (Friday): Pretty good day. Wrote 2439 words, 97.56 percent of goal.
Overall: 72.82 percent of goal so far. August 10 (Saturday): I set a goal of 2500 words for this Saturday because I
had only intended to write 1000 words on Thursday. I didn’t make the 2500, but
I did write 1938 words, 77.52 percent of goal. Main downfall: I got sucked into
Jurassic Park III, which my daughter was watching. Overall I was at 73.89
percent of goal. Looking back at the first week: So far I had written a little over 8100 words
since I started the test. That’s a little under 14 pages single-spaced so far—probably
equivalent to about 30 pages of that Doc Savage novel. Not bad, but nowhere near
what I intended. I was behind by almost 3000 words so far. August 12 (Monday): My wife presented me with a “Honey Do” list—things
that really did need doing around the house, like scraping and painting the
front porch. I would spend four to six hours per day over the next four days
getting the “Honey Do” list done. I still managed to write 2488 words, 99.52
percent of goal. Overall I was up to 78.64 percent of goal. August 13 (Tuesday): Still working on the “Honey Do” list, but I still
managed 2361 words, 94.44 percent of goal, boosting the overall percent to 81.11
percent. What you’ll be seeing in this issue of the newsletter is my output
through August 13th—a little under 10,000 words. August 14 and August 15: 2475 and 2105 respectively, bringing me up to 83.6
percent overall August 16 (Friday): Took my daughter to see an aunt and uncle. Did no
writing. Overall percent down to 74.11 August 17(Saturday): More “Honey Do” stuff. Managed to squeeze in 599
words. That brings me down to 74.11 percent. I then cheated and did 562 words on
Sunday, which brought me up to 76.4 percent. Looking back at the week: I had now written 18,718 words since I started the
test. My goal was to write 24,500 words by this point. I was nearly 6000 words
behind my goal. On the other hand, I had written over 30 single-spaced pages of
fiction in two weeks—the equivalent of roughly 60 pages of that Doc Savage
novel. The last three days: This was by far my best work time. I hit a record 3301
words on Monday, dipped to 2068 on Tuesday (Daughter suckered me into “just
one” game of Street Fighter—2 hours later I managed to get back to work). I
got back up to 2530 on Wednesday. Looking back at the two and a half weeks: I wrote a total of 26,617 words.
That’s not a novel—not even a tiny Doc Savage one. It is over a third of a
real novel though. It’s very roughly 45 single-spaced pages—enough for a
clear-cut most issues of POD. Back to the real world: I set goals for when I had to do back to the
real world—on average 750 words per day on weekdays and 1000 words on
Saturday. My writing pace has been more erratic since I went back to work, but
overall I’ve maintained about 80% of my goals. I finished the rough draft of
the novel in early October. Unfortunately, it was about twenty-thousand
words shorter than I had intended for it to be--an unsellable fifty-four
thousand words (the minimum for a novel is sixty thousand words these days I'm
told). Some thoughts: Setting the goals and keeping statistics about how I
actually did took some time, but it did motivate me a lot. I wanted to reach my
target number of words and generally worked hard to do it. There isn’t any way
to measure quality though, so that remains to be seen. What I wrote was rough
draft, not a finished product. After I write a rough draft I generally go
through two more times. The first time I try to cut the word count and get rid
of poorly written sections. The second time through I analyze scenes and try to
figure out ways of making them more vivid. To me, the rough draft is like the
first full run-through of a play. The gist of the story is there, but the
subtleties of character emotions aren’t there yet. The scenery is still a
little sketchy too. How good is the story? The plot borrows some elements from several
other stories I’ve written over the years. POD members will recognize those
elements. People outside of POD probably won’t. I wrote over 70 pages of notes
on characters and the plot before I started actually writing the story. That
helped, but I’m still finding that some sections just don’t work as I
originally wanted them to. Did the time pressure mean that I wrote a poorer story than I otherwise would
have? That’s hard for me to say. This is probably not the best story I’ve
written so far. I don’t think it’s the worst either. As I mentioned it did
end up considerably shorter than I intended it to—probably in the unsellable
55,000-word range. Some subplots could use a little more exploration, so I may
need to do some additional plotting work. What does this say about me and full-time writing? Well, I did
learn some things. I decided to include roughly one-third of the portion of the story I wrote
during the experiment in this newsletter. Unfortunately, I won't be able to
include the rest of the story on-line because it would make the novel
essentially unsellable to book publishers should I decide to polish it up and
try to sell it. I’m very interested in your opinions on how this compares to my earlier
efforts. Did the rush affect quality? If so, what kinds of difference did you
see and how significant were they? Does the story grab you? Do you
want more?
Comments are very welcome.
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Copyright 2002 By Dale R. Cozort |